Zhanshan is the main representative of China’s new rural painting, emphasizing documentary and lyrical. He has been recording the changes in life in a realistic way. With the evolution over the years, the documentary part of his works has become more and more subjective, and the control of objects, space and color is often reconstructed beyond the natural framework. This kind of reconstruction is similar to the rectification of painting words, and the internal reason is to construct an appropriate context, so that it is convenient to use appropriate words to form precise sentences, thereby maximizing the expressive force and making the lyric have sufficient quality basis.

占山是中国新乡土绘画的主要代表人物，强调纪实与抒情。他一直用写实的手法记录着生活的变化。随着经年演化，他的作品纪实部分主观因素日渐增强，对物象、空间和色彩的调控常常超离自然框架加以重构。这种重构类似对绘画语词的整饬，内在原因还在于构建恰当的语境，便于用恰当的语词组成精当的句子，进而实现表达力的最大化，使抒情有足够质量的依据。